Richard Pinhas - Chronolyse

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Back in 1974, Pinhas received his PhD in Philosophy from the Sorbonne, where he had studied with French philosopher Gilles Deleuze and written his dissertation, “Science-Fiction, Inconscient et Autres Machins”, on the intersections of time, time manipulation, science fiction and analogue electronic music. That same year he founded Heldon. a band that fused his searing guitar with experimental electronics to revolutionize rock music in France. By 1976 Heldon had released several albums on Pinhas’ Disjuncta label (one of France’s first independent labels), and began working on a new album, Interface. Simultaneous with the Interface sessions, Pinhas immersed himself in a highly personal and heartfelt solo project. He had been deeply affected by Frank Herbert’s Dune novels and the complete universe that they contained, and wanted to dedicate a full album to Dune. Acquiring a Moog P3 and a new Polymoog to accompany two Revox A700s he had installed in his home Heldon Studio, Pinhas now had the perfect analogue electronic arsenal to weave his own sonic and philosophical universe in response to Dune’s. Between January and June 1976, he recorded his Dune tribute on Moog and Polymoog direct to tape; he recalls that the music flowed to him easily, “like a dream”. He used his “Big MOOG P3” and the two Revox (one for recording, one for a delay) to record side A of the album, which included 7 tracks dedicated to “Variations Sur Le Theme des Bene Gesserit” and one track named after “Duncan Idaho”. For side B, he used his Polymoog and the two Revox to record a “Tronix” base for a single, lengthy track, “Paul Atreïdes”. Originally, he had thought to do an all-Moog album. But instead, he went into the Davout Studio with his guitar and his Heldon colleagues, Didier Batard (drums) and François Auger (bass) to record their instruments over the Polymoog track. All the track names derived from Dune. "Bene Gesserit" is a name of the race of the woman who has ESP. "Duncan Idaho" is a military aide of the clan of Atreides; the name also was similar to that of one of Richard’s sons, Duncan, who was then a little more than one year old. "Paul Atreides" is a boy who corresponds to the hero of the story. But Pinhas did not want his album to be a too “commercial” Dune tribute, and thus chose his album’s name, Chronolyse, from a work by French science fiction novelist, Michel Jeury, whose writings dealt with time manipulations. Chronolyse came out on vinyl in 1978, released by Cobra only in France. Although it was his first solo recording, it was his second solo album release, as Rhizosphere had come out the year before. As completed, it included one side of solo, live Moog synthesizer pieces, notable for their wide, stereo field and unique sound - a product of the weeks he spent setting up and programming the sounds on his huge Moog P3 modular synthesizer. The other side was a lengthy, stormy, drone-filled, epi of mellotrons (Polymoog), electronics, guitar, bass and drums by his Heldon colleagues. In Chronolyse, Pinhas not only explored new synthesizer technologies, new sonics and materials, but also the philosophical concepts that he held dearest, such as timeless repetition and the superimposition of events. In Chronolyse, Pinhas wove his separate worlds of music, philosophy, science fiction and literature, physical reality and family life into a single sonic and philosophical universe.